On a visit today I was taken by an Egyptian revival style piano. I have amongst my books a Taschen Description de l’Egypt . Being Taschen it is of course just the illustrations rather than the full contents including original nine volumes of text. See Description de l'Égypte - Wikipedia . Still a delight albeit at reduced size. It was of course the eventual output of Napoleon's expedition to Egypt, accompanied by his savants, to explore, map and transform Egypt with French enlightenment. Today I was at the Waiheke Musical Museum on Waiheke Island, the museum sometimes known after its founders as the Whittaker Museum. A great living history show by the now proprietors talking and playing on the many historic keyboard instruments there. One particularly took my fancy – an Egyptian Revival piano, pictured above. Here is their page on the instrument: Upright Piano – Egyptian - Waiheke Musical Museum . The performer on the piano said it was a rather ordinary instrument mu
Part Two -Getting involved in Archaeology as an Interest. Part One looked at archaeology as a profession to get into, this looks at other aspects for people with other ambitions. The early 19 th C origins of archaeology were from a time when there were no archaeologists – the people that pioneered it were often trained in other fields and many of them were employed in other fields. Now the field seems to be dominated by professionals, with a long path of training and experience needed to become one (See Part One). Is there now no role for those with an interest in archaeology? There is. An Invitation to Archaeology: “We are all archaeologists now.” ( The Archaeological Imagination . Michael Shanks) If we have an interest in archaeology, it is because we have been exposed to archaeology in some form. Through that exposure we can start to see that the hand of past people is still with us in the physical world, that forgotten aspects of their exist